AN INTERVIEW  WITH BENJAMIN WALLER

Writer of Pier

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OPP: What stopped you taking up writing when you first knew you wanted to write?


 I recently read school reports from my state primary school that said, ‘Ben’s creative stories are of an exceptionally high level for his age’ and another that said, ‘writes long and imaginative stores of a high standard’. Mind you, it also said, ‘talks too much’ and ‘if no one will listen will talk to himself’! I hadn’t seen these reports until recently, but the comments reinforced how I remembered my total immersion in creativity as a child. Later, I think I lost confidence, and sadly, stopped writing completely in my late teens. But I started writing again (and talking to myself!), when I was older, and the truth is I never really stopped thinking of stories. Finding your path is not always straightforward.


OPP: What are your top tips for young people wanting to write?


Firstly, make sure you do write, rather than spending too much time thinking of writing. Secondly, find a mentor, someone who will champion you, be a good critic yet encourage you through all the inevitable setbacks. Thirdly, don’t let the oft cited ‘rules’ of writing get in the way of thinking of new ways to tell stories; writing requires continuous experimentation as much as continuous learning.


OPP: Can you share your best writer's hack?


Rewrite a scene written from the point of view of another important character in that scene. How do they see things? How do they feel? Assuming you go back to the original POV, you’ll have discovered new conflicts, misunderstandings, and perspectives.


OPP: I wonder, which book has most influenced your style?


Ali Smith, The Accidental.


OPP: Ben, what you are most proud of re: Pier?


I like how the dreamy and endlessly changing quality of the seascape mirrors the ebb and flow of regret and hope.

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Ben's writing can be found in, Tales From The Ether, available on Amazon.

 

AN INTERVIEW  WITH CAMERON YANOSCIK

Writer of Graveyard Guardian

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OPP: What advice might you give to a young girl or boy who is thinking about being a writer?


I would say—go for it! Even if it just a hobby after schoolwork and other extracurricular activities, it is an entirely fun thing to do. I would first suggest writing about something they like and let the story take them away from there, even doing a “daily” journal or diary is a good way to start writing more consistently. Later they could try out different writing methods and genres, sampling each one to see what they prefer. Overall, I would encourage any young person to write as one never knows where it would lead you in life.


OPP: What text made you realise you wanted to write?


I have been racking my brain over this and find that there is not a definite text but a definite author and his works who have influenced me to write. That is American author Ray Bradbury. From the first books I encountered of his when I was in high school, namely “The Halloween Tree” and “Something Wicked This Way Comes” and my re-discovering of his works again one Summer as an undergraduate, I love the worlds that he conjures up. I concluded later on that I wanted to write “like him” but in my own unique way. I wanted to explore different realms of prose and verse, the fantastical and the supernatural, and knew if he could do it, so could I.


OPP: Name three writing tips that have really helped you along.

  1. Let the story lead you along but do not let it entirely control you. Always reign in a story when and where necessary.   

  2. Revise, revise, revise.

  3. Whenever you have an idea make sure you put to pen to paper before it disappears and you regret not writing it down. It may become some element of a future story.


OPP: How does the writing industry in the USA differ to that in the UK- in your opinion?


Apart from my collaborations with a couple of American and English publishing companies, I may not at this stage of my writing career have formed a complete opinion of the differences between the two. Both have their merits focusing on publishing various genres of literature for different age groups with publishers spending appropriate intervals of time working with authors from book conception to publication. For right now, the only noticeable differences are the use of “American English” vs. “British English” when editing texts that writers have to be aware of concerning the way words are spelled and specifics in grammar (i.e., “the Oxford comma”) coming into play. When in the future I have more works published with companies on both sides of the pond, I will have a better idea than I do now.


OPP: Graveyard Guardian is almost lyrical in quality. If it were to be set to music, what Musical would you want it to be included in, at what point in the action?


That is an interesting notion I never thought about when writing this! If I were to create my own Halloween-themed musical, I could see this piece in the opening number of the show where the eponymous Graveyard Guardian introduces itself as your guide/host to the story. I see the musical as a sort of anthology with different stories interlaced together, all connected by the character of the Graveyard Guardian. Even something related to Edgar Allen Poe’s macabre tales would be interesting where Poe is revealed to be the Graveyard Guardian in the end. Either way, different parts of this prose poem would come to life, almost like a ballad, throughout the course of the musical. The last lines would be revisited in the conclusion where the audience is left with the Graveyard Guardian and possibly other characters, kindred spirits, etc. in the cemetery as Halloween night comes to an end and the curtain falls across the stage.

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Cameron's writing can be found in, Tales From The Ether, available on Amazon.

 

AN INTERVIEW  WITH THEA ETNUM

Writer of Soap and A Room For Two

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OPP: As a young person, what inspired you to read?


Thea: Before anyone or anything else, I would say it was my mum. She turned stories into the full experience: she read them to me, acted them out even, or used a projector with slides (old school!) to make everything more fun. She also encouraged me to draw my own illustrations to the books and fairy tales I liked as a child. There were always images to accompany the written word, so reading has always been a very visual experience too.

Later on, in high school, I found in books the maturity, diversity and intelligence to answer some of the questions that were beginning to take shape. And a lot of space to imagine, explore and feel beyond my day to day circumstances - so a lot of freedom, really.


OPP: What, if any, barriers did you face coming into writing? How did you resolve them?

I guess there were many (cultural, financial, etc.) but I was so determined when I started and writing felt so right, essential even, that I didn't pay much attention to them. I took them as an inherent part of the journey; with anything and everything, there are setbacks and barriers. But the fact that even these things – challenges, contrasts, and the emotions that they stir up, can be used as inspiration for writing is simply great. This is why I love writing so much. I feel like I can write my way into and out of everything.


OPP: What tips might you give young people who wish to write? 

To write about everything and anything that creates a movement, a response within you. Even about boring things, as when you write about them, they might turn out not to be so boring after all. To play with perspectives and points of view, and make writing into the best experience that it can be for you, the writer, first and foremost; that being said, don't be selfish, share your work with others. Amazing things will come back to you when you do that.

And read, read, read; avoid falling into a comfort zone, go for diversity - cultural, linguistic, of technique. It will effortlessly and subtly shape your style. 


OPP: Which Romanian writer should we read more of and why?

This is a tricky one, as not that much has been translated into English yet. Some internationally renowned names would be Herta Muller, or Eugene Ionesco if you like the theatre; Mircea Cartarescu too. But I would recommend other authors, like Claudia Golea and Florina Ilis, or Rodica Ojog-Brasoveanu though it might be hard to find their works translated into English. Don't stick to one author necessarily, try more, to get a fuller picture of the Romanian cultural landscape, and its literary voices.



OPP: To what do you aspire with your writing?

Expansion and sharing - of knowledge, experience and emotion. And some fun along the way.

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Thea's writing can be found in, Tales From The Ether, available on Amazon.